Remembering Jose

On this day one year ago Jose Hernandez-Rossy was murdered by police officer Tedesco. Jose in death was crucified by media outlets whose platform feed the city lies about who he was and the actions leading to his untimely death. Jose was driving home enjoying the final break in our temper mental Buffalo seasons when he was stopped by the police. The traffic stopped turned violent when one officer reached into Jose’s car causing him to hit a street pole. Jose attempted to leave the scene by getting out of his car to run when he was shot and killed by officer Tedesco. That day and the ones that followed the media reported that he shot a police officer (which was false), that he had a criminal record, that he was smoking weed. The local media’s stance to discredit Jose, the victim of a heinous crime, that by 2017 had played out once in this city before in the case of Meech and dozens of time across this country was an eerie reminder of how American society treats the death of men of color as criminals first before human.

I saw him as human. I saw him in the face of his daughter who still didn’t understand why her father was not returning home as he always did. I saw him as a family man in videos that his cousins’ shared on their social media as they mourned their loss of him. I hear his humanity and his loving kindness in the stories from his brother- in- law of how he helped support him and his sister’s family. I see the strength of him live on in his sister and mother as they fight through a crooked judicial system with lawyers that have other agendas yet they still hold true to their convictions for justice. I have had my heart and soul break open with his family at the place of this death, as we held direct actions and in frustrating meetings.

One particular moment that stays burned in my mind and body’s memory was the day of his memorial at the site of where he was killed. I felt my body shake with sadness, anger, and grief and overwhelmed with hurt when I looked down to see my son crying beside me. Zaire cried because he too felt the overwhelming emotion of when the immediate family came to the pole on the corner of the street where Jose’s car initially crashed and the ground felt radiant of Jose’ blood that was still visible on parts of the street. There was a sad chaos in the street when his mother cried terribly before her body gave way and the male family members had to hold on to her. When the fire department and ambulance pulled up and Zaire began to cry more I decided that it was time for us to go. He asked me why he died and who killed him in the car ride home, I told him because of the color of his skin and by officers that said they were scared of him. My voice trembled as I said this as I felt guilt for exposing this harsh reality to my children. I let it hurt just enough before remembering that taking him and Kelila to Jose’s memorial did not make me a bad parent opening my children up to trauma. I am a parent that is exposing my children to their reality before they grapple with the horrors of it on their own but now with the tool to heal from it.

Now today a year later we will come together once again to remember the life of Jose. We still hold the rage from the not guilty verdict from the AG case in our bones as we reclaim this memorial site. Our emotions are raw on this day and we honor the unspoken power of them that has fueled us this far in our collective journey. My heart is still full despite the pain and I am sending out love in these words, in prayer, and in healing vibes to the survivors of state sanctioned violence.

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20 Femme Rap/ Hip Hop artists You Need to be Listening to

Spring 2018 has already blessed us with new releases from Cardi B to Nicki Minaj to our beloved Janelle Monàe who are some of the biggest female rap artists/ lyricists in the Hip Hop game currently. Beyond the debate who is more talented amoung them, the Real question is what other femmes are out killing it in this genre? And as Scandals pop up each day, I have gotten tired of  trying to figure out if its still okay to listen to your problematic fave, so I ‘ve composed a list of some talented femme MCs out that are perfect for your spring to summer playlist!

Nitty Scott

New York City native, Nitty Scott is an Afro – Latina rapper / poet that infuses her cultural identity in the sound of her music. She uses her lyrics to promote femme empowerment using a fun sound you can’t help but move to. Listen Here!

Princess Nokia

Afro Latina rapper Princess Nokia has an underground cult following of her unique style that incorportates alternative music scene with hip hop. In her music she tells the stories of her youth and praises black women across the diaspora with catchy hooks. Give her latest EP a listen !

Cam & China

Cam & China are a black american femme duo that make what can best be described as femme trap. These two spit rhymes that validate black femmes and we can relate to that while incorporating the sounds we have all grown to love in trap. Give them a listen Here!

Junglepussy

Another New York City native on the list!  This sex positive femme raps about femme empowerment and self love for black women in lyrics that are as smooth as the beats she gives us to bounce our asses to. Listen to her latest single Trader Joe!

BbyMutha

BbyMutha is a Mother of four that does not let that piece of her idenity police her content of her artistry. She puts her experinces as a baby mother in her music that vaildates so many women like herself (myself included!) Don’t let that fool you though! She does not shy away from  speaking on  her sexuality explicitly  in her lyricism. Give her a Listen !

Sydanie

Mother and Tornoto native mixes Grunge sounds into her own style of reggeaton / hip hop. Her lyrical content reflect her experiences of being a black femme in the Black Diaspora and her feels that move her into her activism. Listen to her latest single Flirt!

DonMonique

DonMonique has already began to expand beyond her base and brand as a black fem trap rapper. With popular hits like “Pilates” and “Drown” DonMonique is the music will make you feel an even badder b*tch. Listen to her latest single 30 Block!

HopHop

Alabama native based out of Buffalo, NY Hop Hop uses classic Hip Hop flows for her new wave sound. Her music range from fun storytelling to addressing topics of racial tension, politics, and femme empowerment. Check out her latest single Scratch!

iRawniQ

This LA based raper puts the rawness of queerness into music by addressing sexuality and gender with iRawniQ unique sound of electro- Hip Hop. Listen Here!

Noname

Chi town native, Noname has gotten her acclaim in the local scene in beyond for her melodic voice and flow. Noname gives the perfect narrative for the bittersweet black experiences and the feels encompassing this, Give her listen Here!

Dreezy

Chicago native Dreezy has been holding down the hip hop scene with her confidence that drips all through her music. Her east coast flow and lyrics with some of the most enjoyable punchlines make for a great listen. Listen to Here!

Rico Nasty

D.C native Rico Nasty is a High energy freestyle/ rapper that has dubbed her own sound as sugar trap. In her music she incorporates her bold persona with 90’s pop culture and unapologetic blackness. Listen to her latest single Hit That !

Big Freedia

Although she is not new, I had to do an honoray mention to this Queen. Big Freedia reps New Orlean’s Bounce Music scene, a sub-genre composed of queer black folks that were not accepted into the Hip Hop community because of their idenity. Bounce fuses traditional rap with adlibs and House music to create this iconic sound that has made brief appearences in mainstream music (Beyonce Formation & Drake’s Nice for what ).Listen to her latest single Rent !

Kari Faux

“The hottest thing out of Little Rock” LA based rapper Kari Faux’s sweet voice over R&b and 90’s inspired beats is a vibe of its own. Her relatable lyrics about dating and millienial life will make you laugh and her music enjoyable, Listen Here.

Angel Haze

New York rapper Angel Haze uses her poetic experience in her music with her lyrics that encourage femme unity / empowerment with a rawness that will leave you reeling. Listen to her Here !

Audra the rapper

Self described as soulful ratchet uses electro sounds and hip hop beats in her high energy sound. Listen to her Here!

CupcakKe

Known by most for vuglarity, CupcakKe is a dymanic MC from Chi town that has made her rise to fame by her unapologetic reclaiming black sexuality. With hits like “Deep Throat” to  “Pedophile” CupcakKe uses her platform to normalize sexual positive for femmes while also highlight the sexual voilence in our communities. Listen to her latest single Quiz!

Leikeli47

This femme leaves much of herself to her listeners imagination , Leikeli47 use fun hooks and lyrics over different sounds that are great to hype yourself up with. Listen to her Music here!

Dai Burger

Another great turn up artists uses R&B/ pop music sounds into her music with lyrics that highlight femme experiences in high energy fun delivery. Listen Here!

Kamaiyah

Unapologetic femme rapper spits lyrics about being open sexually and being proud of her identity in her music that is also great to pregame and turn up to. Listen Here !

MaDamn Noire Reclaims the ‘Angry Black Woman’

On March 31st at the closing ceremony for FREE AGENT, MaDamn Noire strolled up to the stage with a white Barbie doll on a leash in tow. I was eager for the performance as I already knew that it would be the representation of MaDamn Noire frustration of whiteness. In preparation MaDamn Noire , Obsidian, Curtis Luvell, and I held a ritualistic ceremony where each of us gave a blessing over MaDamn Noire and her performance. I’ve come to love and cherish my relationship with each of these beauitful black femmes, we poured that love over her as a reminder that her life long dance career aligned with her knowing her fullness in her idenity that she was more than ready for this. It was scared, intimate and healing space that we held just for ourselves among the others preparing for the show.

As the music started so did she, MaDamn Noire was the embodiment of the rage black women feel and the liberation from letting it free not afraid of who may see. On the stage she moved fiercely with a sexiness that felt natural to the raw anger energy. Over the music and the crowd roaring their delight of consuming her vibrant dancing, her body screamed its disgust from the treatment that white folks have put her through. Challenging major Grace Jones vibes she bites then spit out the head of the Barbie in the face of a woman in the front row that sent the crowd into a louder uproar. In that moment my heart swelled with pride for her boldness and it ached for her sacrifice she had made performing this in a predominately white space.

Black folks in the audience knew that with each twirl MaDamn Noire swung that Barbie above her head represented what she really wanted to do after every unwarranted hair grab by a white woman that just wanted to feel it. Black folks knew that with each shake she gave that Barbie was for each time she was harassed by a white coworker that went unnoticed, for each condescending comment made to her face and every stereotype that had been nailed to her back. She danced for every slight and large injustice, mircoagression, and hidden racism that black femmes face daily that looks at us with thin lipped smiles and eyes that willingly go blind to black violence. She danced to communicate that we will not idly play along with your games. We will not entertain without forcing you to see what you have done to me, to my people, and our collective ancestors. We will disrupt all aspects to your lily lives as ours has been until you work to correct the harm that we are currently in.

She trotted off the stage and out the door giving the perfect end to the event. I felt joy of her releasing so much of the pain we suffer through, I felt her soul being free as she let her artistry channel who she was physically. I felt healed watching her reclaim what I had been told until now was some far off mythology of liberated black femme sexuality.

Photo cred. @pjeightyeight/instagram.com

How Audre Lorde’s Uses of the Erotic Improved how I Self Love

After returning home from BOLD’s National Gathering I spent the following week feeling deeply into the amazing power and joy of black people. BOLD, Black Organizing for Leadership and Dignity, is a network of Black Organizers from across the country that bases it training in political education, somatic practices, and building conections across the country. Among the most cherished experiences that I had was the lunch conversation with Adrienne Maree Brown on Pleasure Activism. “Adrienne Maree Brown is author of Emergent Strategy: Shaping Change, Changing Worlds and the co-editor of Octavia’s Brood: Science Fiction from Social Justice Movements. She is a writer, social justice facilitator, pleasure activist, healer and doula living in Detroit.”(brief bio, Adrienne Maree Brown) . Being committed in healing journey and bridging the gap of what I desire to actually embodying in my activism drew me to Adrienne and also just me wanting to fangirl over one of my favorite black femmes in this movement.Adrienne suggested, and I suggest to y’all listening to the youtube video of Audre Lordre’s Uses of the Erotic: The Erotic as power. In this speech and released publication Audre speaks to a deeply powerful energy that lies within femmes that has been demonized by patriarchal society. This has been done through suppression of our erotic selves within our oppression in a dominate male world and gaze, denying us power that in many ways and times while manipulate us for men to be on the receivingof it.Audre goes on to define eroticism as “the measure between the beginnings of our sense of self and the chaos and power of our deepest feelings, it is our internal sense of satisfaction that once we have experienced it, we know we can aspire … this depth of feeling and recognizing its power and self-respect we can require no less from ourselves”.(Audre Lorde, Uses of the Erotic: The Erotic I listened to this daily at work on my break as I took brisk laps around my school. I listened to her words to inspire and affirm my commitment to growing black folks through the resources of education for our collective liberation before returning to work. I feel the importance from the students I work with of my presence mattering, but struggle within feelings of obligation of service to other areas of my job. By feeling more into those areas of discomfort while looking for the pleasure of being in the current moment has improved my sense of fulfillment. With each passing day I felt that fullness deeper, amazed by it I wondered what that pleasure would feel like sexually in relation to myself . “the erotic offers a well of replenishing and provocative force to any woman that .. Hasn’t succumbed to the belief that sensation is enough”- Audre Lorde, Uses of th Erotic: The Erotic as Power.Until this past week I used masturbation just to get myself off when experiencing sexual tension or frustration but, then I realized I had denied myself touch in a way that truly fulfills my needs. My sexual performance with partners has been more passionate in using ways that I know will best pique my own arousal in relation to heighten my partner’s experience. Last month for the first time I used those same tricks and techniques in service of me: I played the music I like to hear, moved at the pace, rhythm that felt best to me and switched to the positions I wanted when needed accurately. I loved on myself in a way that up until then I still struggled with due to its taboo nature that was projected on to me. I still battled with shame attached to it from growing up in a conservative Christian household that ruled by sexual ignorance in hopes that would deaden any sexual exploration. For the first time I committed to being in the fullness of eroticism for me. I orgasmed from myself for the first time and felt love for myself differently, from the tender and caring lover that I had been complimented as by partners but never knew personally. I know now that this feeling was never given to me through any other person than me- that is empowering. It felt empowering to carry that joy of self into my job performance, into my creative writing process and embracing being in love with me. I felt a rare level of intimacy with myself that was both intoxicating and healing. The uses of eroticism in connection to self-love is radical AF and yet so necessary to femmes and folx across the gender spectrum just do to for ourselves, to discover more of our identity and seeing ourselves in our full dignity.

So EZ – Take A Chance Directed by DJ Slim Gus [VIDEO]

Brand new visual release by my boy So EZ, Cleveland representa, by way of my hometown Buffalo, NY, called “TAKE A CHANCE” just dropped!!!  The video was sponsored by EZ’s Sangria brand, Sangriafive – go check it out, its an amazing recipe guaranteed for the exquisite fade at every function you hit!

The ladies switch roles w/ the fellas on this one!
Director: @iamslimgus
Creative Director: @laythemedgeslayton
Starring 🌟🎬:
@ceecee_rei
@nataysia_
@e_babii_
@x_effloresce
@zaymonaephotography
@oh_la_livia
@joywokeaf
@jimmyhustle
@thisisulysses

Shouts to EZ and Slim Gus for inviting myself (@buffalowe_) and my boo @chan_420 for the dope cameo with us that fly ass Federal Agents and Good Ol’ Dank merch you can cop exclusively at ShopRhondaJane.com!!!

Stream the brand new 4-track EPSOEZSUNDAYS, which contains the hit single “Take a Chance” on Apple Music, Spotify and more!

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Jhene Aiko feat. Kurupt – Never Call Me (Slauson Hills Edition) Dir: Top Shelf Junior [VIDEO]

Fellas, you ever did a pretty girl dirty and wondered why once her bros rolled up on you?  Don’t be that guy.  Call shorty back or keep it real.  Its necessary.  Tell ’em Jhene.

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“Oh boy, I’ma have to call them boys on you
Aw damn, aw damn, I’ma have to call that man on you
Something, something, something must be really wrong with you
Why can you just tell the fuckin’ truth now?
Yes your mama did, she raised a fool, wow
What the fuck did you learn in that school house?
To chasin’ thrills, takin’ pills in the hills
Slauson Hills, Overhills might get you killed
And I won’t come ’round them parts no more
Do not run your mouth no more
I can’t protect you no more
It’s out of my hands for sure”
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Watch the new video below featuring some high profile LA cameos from the likes of some of my favorite Los Angeles natives on the scene, Nipsey Hussle, Lauren London, Jay 305 and more!

Nonchalant Savant – ¡Spark! [ALBUM]

Grab a bottle of “Vino” and gear up for a sensual, slippery ride with Miguel’s younger brother, who goes by the stage name Nonchalant Savant.  This 11-track album is sure to put you in a good mood, as Nonchalant carves his own alternative r&b lane outside of his big brother’s shadow.

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Lowe’s picks: Vino, Deepends, …Calling, Same Way, Via Leaves

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Stream the ¡Spark! album here:  iTunes | Spotify