Dirty Logan Entertainment presents Got Loganberry dropping on 7/16 | Sponsored by Jenesis Magazine, BuffaLowe PR & Flagrant City [Mixtape]

Dirty Logan Entertainment presents Got Loganberry the Mixtape dropping on 7/16 @ 7:16pm EST!!!

Sponsored by

  Be sure to visit: JenesisMagazine.com and FlagrantCity.com between now and then for some exclusive releases and additional content from the Dirty Logan camp!!!

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The Xxxtentacion Effect [Editorial]

When I heard of the death of X, I broke my social media hiatus to see how the news was effecting everyone. I have learned from Bill Cosby, Chris Brown and R Kelly that when bad things happen to notorious abusers, black folks still weep. X like Chris, Bill and Kelly represents our relationship with black men. And Xxxtentacion dying in a drive by in broad daylight is a reminder that no matter the wealth, fame, or clout one gets does not make anyone immune from gun violence that plagues our black community. His fans and family that survived him that are currently mourning his death, I am committed into feeling more deeply with them.

I want to be clear that I by no means condone the vicious violence of this young man or am I a X sympathizer.

Xxxtentacion expressed his emotions in his music that he was unable to do in a healthy way in his interactions in his personal life. His music was his safe place where his creation released his pain and traumatic experiences that he took pride in sharing so others would not feel alone. When I look at the lyrics of Xxxtentacion’s music I understand that it is relatable to folks, young boys especially – that battle through the same emotions of feeling sadness and anger without knowing how to sort through it in a healthy way. I look to these as reminders of how much farther we have yet to go. If its not our personal relationship with unprocessed pain and emotions, it is our proximity to folks in our lives that experience it.

`Xxxtentacion music was relatable to so many folks for its emotional content.’

I work with young black boys that have similar life experiences as Xxxtentacion – mothers that feel more like older sisters, fathers that are barely existent, and grandparents, family members or foster parents that have had to take of care taker roles. I see how they let their relationship with their parents and the community that is still active in their lives shapes them into the men they are growing into. I see how their sadness that they are not allowed to feel into leads to frustration of not exploring these feelings of rejected which in turn morphs into anger that cannot be tamed.

I’m more concerned about the impact of X’s  life and the current wave of new rappers  have on our youth that look up to them as leading role models of success. Black children seeing young black men that look like their older cousins and on their social media platforms portray lives that are similar to their current day to day lives with the illusion of more money  inspire them to live their lives in the same manner.

As an adult I forget the impact that celebrities, musicians especially have on children. I grew up loving Beyoncé, Erykah Badu, and singers like that who inspired me to aim to define my own version of greatness.Today children look for the same.

It is our duty as adults to hold our youth’s idols accountable for their role they have on this new generation. Call them in more on their behaviors and call them out when their actions become problematic. X is dead, and all I have positively to say on his legacy creates a safe place for young male listeners to begin to explore their emotions. My hope is that we can let that door that has opened for boys to admit to feeling sadness and pain to us exploring more where this is coming from and introduce how to heal through their past traumas.

I am more focused on the future of our black community and how we are shaping the children that will become the leaders of that reality. I do not have the energy to imagine the possible future of Xxxtentacion  living a reformed life as a healed person in our community, I rather accept and learn from his tragic reality : X let the trauma of his childhood shape him into an unapologetically violent person which lead to his early death. He was aware of his transgressions and knew that much of it came from his troubled past which was why he felt the need to focus on the youth.

 “If worse thing comes to worst, and I f***ing die or some s*** and I’m not able to see out my dreams, I at least want to know that the kids perceived my message and were able to make something of themselves and able to take my message and use it and turn it into something positive and to at least have a good life.

 

“If I’m going to die or ever be a sacrifice, I want to make sure that my life made at least five million kids happy or they found some sort of answers or resolve in my life regardless of the negative around my name.” – Xxxtentacion, The Sun

Let us focus on raising our youth in healthy healing communities. Let’s focus on the women and femme survivors of the existing abusers in our own cities and communities- providing resources for access to safe havens, education on alternative interventions that do not require the police/law enforcement such as restorative justice and additional healing support. Let our black men work towards healing themselves and traumas while calling each other in when exhibiting toxic masculinity. This is the way we can at least begin to create our own sustainable community.

*resources :https://www.thesun.co.uk/news/6566828/xxxtentacion-dead-rapper-predicted-own-death-video-miami-shooting/ 

So EZ – Take A Chance Directed by DJ Slim Gus [VIDEO]

Brand new visual release by my boy So EZ, Cleveland representa, by way of my hometown Buffalo, NY, called “TAKE A CHANCE” just dropped!!!  The video was sponsored by EZ’s Sangria brand, Sangriafive – go check it out, its an amazing recipe guaranteed for the exquisite fade at every function you hit!

The ladies switch roles w/ the fellas on this one!
Director: @iamslimgus
Creative Director: @laythemedgeslayton
Starring 🌟🎬:
@ceecee_rei
@nataysia_
@e_babii_
@x_effloresce
@zaymonaephotography
@oh_la_livia
@joywokeaf
@jimmyhustle
@thisisulysses

Shouts to EZ and Slim Gus for inviting myself (@buffalowe_) and my boo @chan_420 for the dope cameo with us that fly ass Federal Agents and Good Ol’ Dank merch you can cop exclusively at ShopRhondaJane.com!!!

Stream the brand new 4-track EPSOEZSUNDAYS, which contains the hit single “Take a Chance” on Apple Music, Spotify and more!

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I Felt That Shit: The Power of Art & Uses in the Movement

In a dimmed room Eve rose from the front row with her poems in hand then began speaking. Her words bore life to worlds I never seen but through her knew, she shared who she was that was hidden beyond view of who stood before us of her childhood scars to her travels; then she read I don’t want my baby to be a hashtag. Her voice spoke the fear that I had never said aloud, the  joy and pain I have as I watch my son grow was hers too and the sobering knowledge of what this country can do. As her pace speed up saying what I had known to be true, tears swelled and wetted my cheeks by the way she had captured a black mother’s pain so beautifully. That was the first time I watched her perform a set, and the first set that I had seen in my adult life that had hit me so hard to inspire me to action. At nine months pregnant with a four year old and trump presidency on the horizon, I hungered even more to be the change I wanted to see, if not for myself for my family. Now as I reflect back on my origins to organizing I realize how important radical art was to becoming a part of this movement.

Art is one of the main uses of propaganda- in film, television, visual arts, music, theater and literature because of its undeniable power. When we interact with it, listen to, see it, we resonate with art on a level of shared experiences within the audience and artists.  Which is The purpose of art: to incite emotions- whether they are true or not doesn’t matter as long as the intended audience got the message and felt that shit.

Back when black folks first were “freed” from slavery, films like ‘Birth of a Nation’ were created to affirm the fear white Americans had towards black Americans and that in order to preserve the sanctity of white people that there was a need for the KKK. Moving forward Jim Crow the popular character of a minstrel show, a musical show of the 1830’s that featured white entertainers in blackface, became the slang term for the racist laws that kept the caste system functioning despite the end of slavery.

In the midst of this prominent misuse of art was the rise of black entertainers that portrayed their truth and reality in this country in what is now known as The Harlem Renaissance. Artists like Zora Neele Hurston reclaimed African American Language in their literature as a radical act of personifying black folks for generations to follow. Fast forward to the civil rights era Nina Simone, James Baldwin and Maya Angelou were popular artists that stand out for being vocal about their distrust of this country as black folks and their desire to be free through their art.

To now- Beyoncé shutting down the 2016 Super Bowl performance of Formation in Black Panther inspired regalia then later released visual album that incorporated the work of past and current black artists. Kendrick Lamar that same year used his Grammy performance to showcase that slavery never ended, but shape-shifted into the current prison system.

Their big names drew more attention to the calls of action of Black Live Matter/ Movement for Black Lives than the media had intended to cover. Black artists of the past and currently living understand the responsibility that their talent provides relief to their audience and is a preservation of their time period- the beliefs of that era, the shared feels and experiences with it.

To all my artists’ friends You Matter. Your work Matters. History will thank you for your contributions.

To honor y’all I will be starting an appreciation series dedicated to the talented black and brown artists that are killing shit and those who are working in the movement!