Tag Archives: Buffalo

Dirty Logan Entertainment presents Got Loganberry dropping on 7/16 | Sponsored by Jenesis Magazine, BuffaLowe PR & Flagrant City [Mixtape]

Dirty Logan Entertainment presents Got Loganberry the Mixtape dropping on 7/16 @ 7:16pm EST!!!

Sponsored by

  Be sure to visit: JenesisMagazine.com and FlagrantCity.com between now and then for some exclusive releases and additional content from the Dirty Logan camp!!!

GOTLOG

Artwork by:

MaDamn Noire Reclaims the ‘Angry Black Woman’

On March 31st at the closing ceremony for FREE AGENT, MaDamn Noire strolled up to the stage with a white Barbie doll on a leash in tow. I was eager for the performance as I already knew that it would be the representation of MaDamn Noire frustration of whiteness. In preparation MaDamn Noire , Obsidian, Curtis Luvell, and I held a ritualistic ceremony where each of us gave a blessing over MaDamn Noire and her performance. I’ve come to love and cherish my relationship with each of these beauitful black femmes, we poured that love over her as a reminder that her life long dance career aligned with her knowing her fullness in her idenity that she was more than ready for this. It was scared, intimate and healing space that we held just for ourselves among the others preparing for the show.

As the music started so did she, MaDamn Noire was the embodiment of the rage black women feel and the liberation from letting it free not afraid of who may see. On the stage she moved fiercely with a sexiness that felt natural to the raw anger energy. Over the music and the crowd roaring their delight of consuming her vibrant dancing, her body screamed its disgust from the treatment that white folks have put her through. Challenging major Grace Jones vibes she bites then spit out the head of the Barbie in the face of a woman in the front row that sent the crowd into a louder uproar. In that moment my heart swelled with pride for her boldness and it ached for her sacrifice she had made performing this in a predominately white space.

Black folks in the audience knew that with each twirl MaDamn Noire swung that Barbie above her head represented what she really wanted to do after every unwarranted hair grab by a white woman that just wanted to feel it. Black folks knew that with each shake she gave that Barbie was for each time she was harassed by a white coworker that went unnoticed, for each condescending comment made to her face and every stereotype that had been nailed to her back. She danced for every slight and large injustice, mircoagression, and hidden racism that black femmes face daily that looks at us with thin lipped smiles and eyes that willingly go blind to black violence. She danced to communicate that we will not idly play along with your games. We will not entertain without forcing you to see what you have done to me, to my people, and our collective ancestors. We will disrupt all aspects to your lily lives as ours has been until you work to correct the harm that we are currently in.

She trotted off the stage and out the door giving the perfect end to the event. I felt joy of her releasing so much of the pain we suffer through, I felt her soul being free as she let her artistry channel who she was physically. I felt healed watching her reclaim what I had been told until now was some far off mythology of liberated black femme sexuality.

Photo cred. @pjeightyeight/instagram.com

So EZ – Take A Chance Directed by DJ Slim Gus [VIDEO]

Brand new visual release by my boy So EZ, Cleveland representa, by way of my hometown Buffalo, NY, called “TAKE A CHANCE” just dropped!!!  The video was sponsored by EZ’s Sangria brand, Sangriafive – go check it out, its an amazing recipe guaranteed for the exquisite fade at every function you hit!

The ladies switch roles w/ the fellas on this one!
Director: @iamslimgus
Creative Director: @laythemedgeslayton
Starring 🌟🎬:
@ceecee_rei
@nataysia_
@e_babii_
@x_effloresce
@zaymonaephotography
@oh_la_livia
@joywokeaf
@jimmyhustle
@thisisulysses

Shouts to EZ and Slim Gus for inviting myself (@buffalowe_) and my boo @chan_420 for the dope cameo with us that fly ass Federal Agents and Good Ol’ Dank merch you can cop exclusively at ShopRhondaJane.com!!!

Stream the brand new 4-track EPSOEZSUNDAYS, which contains the hit single “Take a Chance” on Apple Music, Spotify and more!

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SevenSixteen’s Truey V: ‘Trap Rage’ review

Trap Rage is the perfect EP for this moment in 2018- with its Authentic Buffalo pride as the Bills make the Playoffs for the first time in 17 years and we are amidst our first Blizzard of the winter solace.

I remember the first time I heard about Trap Rage, it was at a kick back after Curtis Lovell’s show. It was a crew of us black creatives chilling, talking about our different projects we were working on . Truey was sharing with Rhys some of what was completed from his new project, Trap Rage over his Beats as the rest of us vibed out. I remember Rhys said aloud ‘this was about to be a hit. ‘

Fast forward to the first time I heard ‘No Snaps’ and ‘Hussle’ was during Truey’s set at Beau Fleuve Music and Arts Event during the silent disco. Each song created a vibe of pride of this city when it dropped that everyone danced out to. Trap Rage has accumulated its own success over the past few months since its October release. With some of the most popular songs ‘Hussle’ , ‘No Snaps’, ‘Fuck Five’ that highlight the experiences and weaves narratives that all black folk can relate to with flows that interchange from smooth vocals to Truey’s hype is fueled by the frustration and joy of millennial existence.

I couldn’t help but feel the connection not only to the music but the Collective experience of being Buffalo Natives, being black , being millennials, affirming that this will be our year – and how Trap Rage is the personification of all that. I enjoyed all elements of this from the beats, Truey’s lyrical flows, to the catchy hooks( especially in ‘No Snaps’ & ‘Inuyasha’).

Give this EP a listen if you haven’t already, it’s filled with hits that are perfect for your 2018 playlist!

Trap Rage EP

Around LA: The Renaissance with @joythedrummer & @DJShiva at @losglobos [Oct 10th]

Tonight!!! The Renaissance Residency with Venzella Joy & DJ Shiva kicks off this evening, Tuesday, Oct 10th, 2017 at Los Globos!


Doors open at 8pm, Show starts at 9pm! Get tickets here: http://www.ticketfly.com/event/1570473-renaissance-los-angeles/
According to Joy herself, “Shiva is one of the dopest DJ’s I’ve ever heard and we’re curating a series of shows where we’ll be performing together every other week and featuring artists.  Come experience the pioneer show of #TheRenaissance here in LA!!!” 

It’s all happening TONIGHT!!!!  10•10•17!||| $5 with RSVP|||

Interview with Lindsey Taylor

Lindsey Taylor is a buffalo native that started Crown ENT back in 2007, and has since then developed and worked on large projects such as Ballin’ For a Cause, and most recently the Beau Fleuve Music and Arts Festival
We caught up with him to see how he feels about his personal growth, how he finds balance between it all, his views on leadership and more. 

M- Marielle ,LT- Lindsey Taylor 

M: How do you feel about your progress over the past decade? – from Balling for a Cause, Crown ENT, and most recently Beau Fleuve Music and Arts Festival. 

LT: I feel good because I was able to show growth over the past year.- that I am not one dimensional, to be able to host multidimensional events, to see how far we come, to be able to inspire young entrepreneurs and creators , to open doors for others and venues. I feel real happy with my growth.

M: Have you been able to fulfill the goals you set for yourself 10 years ? Are you where you projected yourself to be?

LT: Yes. When I started I wanted parties to be the stepping stone into doing a variety of events. I never wanted to be known and labeled as just the party promoter. Crown ENT. and parties were the foundation. I wrote goals down in notebooks – I still find some of them in old notebooks and then I would write an outline for how I wanted to execute it. I’ve been working on Beau Fleuve for two years now.

And I have made most of those, may have not hit it all the way, but to be able to see that can achieve the concept and that it is possible. 

M: did any of those goals change for you ? 

LT: things always change, I’ve wrote ideas down and went a different course with it completely. 
M: How do you focus between your projects and your personal life and family? 

LT: I’m still working on finding balance between life and projects and myself. This is currently my number one goal : to dedicate one day to my family with my phone off, just time to unplug. I’ve been burnt out physically, mentally. 

Constantly working makes your work go stale . 
Like when I took my daughter to Disney World for vacation I was watching how Disney operates: their team, their influence, how they were with guest. 

 

There was a time when something was wrong with our car and before we could go to ask for help someone was there taking care of it . 

M: wow. That leads well into my next question: What is your organizing/ planning process : do you focus more energy into work you team is doing, the work you do yourself, or strive to find balance between both ? 

LT: I’m working with distributing responsibilities to team members and building team members up so that they can be those representatives of myself. 
So that when problems occur people can go to them and they solve it instead of running me for everything. 
I wanted it to be that the answer my team member gives is the exact same thing I would say if asked.- so that if I Lindsey leave my event it would still run perfectly . 

M: How would you describe the impact you’ve had local art scene ? What lasting influence do you want to leave ? 

LT: I have always incorporated music in my events- from party promoting with Crown ENT and getting in contact with MCs and local musicians, balling for a cause I always incorporated music into that as well, I did cyphers for local rappers and over the years I’ve built relationships with a lot of artists. Now I want learn more about new artists and gain more lasting relationships. 
On last influence:

We want artists to be able to come to us and use our platform to benefit all of us, we want to be able to pioneer these ideas. With basketball people are looking it ( balling for a cause) all over the world – we get contacted from teams from Canada and Africa inquiring about it. We want to be the staple representative of this brand. 

M: what impact does your political views and association have in any of your projects? 

LT: I keep politics separate from events and projects. (I) show support in different ways. I don’t center or align with just one political party or candidate. We do have good relationships with some figures that have shown interest and been involved with some of our events. 

  
M: how do you deal with diversity? 

LT: diversity is one of my biggest things. I was born and raised in the city and attended school with people of all different backgrounds. I want to reach a diverse background of people – black, white, Asian, all people. I want to build relationships across all races. 

One of the big things with Beau Fleuve was to have as much diversity as possible, we had country, rock , hip hop, we could’ve easily just did a hip hop show, but I wanted diversity. 
In fact, this past year one of my friends invited me to a country concert and I had the best experience even though I only knew like two song, it was one of the best shows I’ve ever been to . 

M: What should people be on the look out from you ? Any upcoming projects that you can share with us ? 

LT: We are currently working on the Beau Fleuve Foundation to give back to youth arts, create scholarships and making Beau Fleuve into a Mega Festival 
M: That sounds Awesome ! Any closing statements, last words .. 

LT: Shout out to Rhonda to always being supportive, she’s great. It takes all of us coming together every aspect of media, promoters, artists and working together. Pulling together. 

 Reclaiming My Time 

I’m sitting with and processing emotions from interactions I’ve had over the past week. This has been forcing me to acknowledge my social conditioning : how I default in handling situations and the result that has on myself.

I was raised heavily in Assimilation Culture and by Respectability Politics: that if I did mind my manners, speak properly, tamed my hair- then white people would not be an issue, and if they were, to avoid Any confrontation. I’ve never witnessed my parents prioritizing their Blackness over whiteness. Without noticing, I began doing the same as I’ve gotten older- that is until recently.

In the past year I’ve been spending more time in Black and Brown only spaces, spaces that center Blackness and organizing with People of Color collectives. In these spaces I’ve realized my conditioning and how it stems from systematic self preservation tactics pasted on generationally. Returning to work in a predominately white space has triggered how I see myself, my Blackness in reference to how I handle whiteness.

I didn’t realize the problem I had with prioritizing whiteness until fellow organizer and friend brought it to my attention in the wake of Charlottesville both in a conversation we had on it and later in an important piece on this topic.*

I was telling her how I was avoiding going to places because I didn’t want to talk with white people about what had recently happened. She shifted the conversation and my view from avoidance to standing in myself and simultaneously refusing to talk about matters that made me uncomfortable.

Friday I remembered her words after enduring a rant at work from a white man on Charlottesville, how it was staged, the manufacturing of a race war and how now isn’t the time to worry about race. Despite my attempts to end the conversation it didn’t stop until my boss intervened. I felt at the end of it exhausted from listening to him, exhausted from his entitlement to my time, and his ignorance of his privilege that has resulted in so much violence.

As a Black American womxn, I felt insulted and triggered by his reduction of over 400 years of oppression and violence to singular moments of eruption of race relations when white supremacy feels threatened by our fight for liberation.

I noticed in this moment how it felt to let my identity come second in an interaction that:
1. Did not need to be had,

2. Would not reflect negatively on my job performance, had I centered myself

3. Would be more loving/ honoring to myself to center my identity.

White people have created and we’re raised in a society that has always put their ideas first, gave themselves room to be expressive without judgment which in turn resulted in them believing that they can encounter any interaction in that way. Where as Black and Brown people were not, we have always made space for whiteness.

Now, however is optimal time to enact Auntie Maxine Waters words and Reclaim Our Time.

I urge all my Black, Brown and all intersecting identities to stop, give yourself space and reclaim your time in the face of whiteness- supremacy and toxic masculinity.
Stop yourself in interactions ask ‘ am I prioritizing self or whiteness?’ – if the latter, reclaim that time.

To futher quote her words in the Just Resisting post “Are we actively in this moment, joining and working to build a world we want to live in? A world that centers us? Are we engaging in the work that prepares us for what we’re so obviously up against?”

End that respectability/ assimilation mindset and reclaim your unapologetic Blackness : in your interactions, in demanding our rights, justice and the continued fight for liberation.
I’m still working on this – from my organizing to my own personal experiences and my hope is for you to do the same.

*Please read the rest of Just Resisting’s Post and if in the Buffalo area be sure to check out JR’s Political Education Kickoff!on the 21st!

Guaggi Outlet Store Grand Opening Hosted by Queen Tee & Music by DJ Brei – Charlotte [Sept 16th] 

On Saturday, September 16th, 2017 from 3pm-9pm EST come out to support Buffalo clothing brand Guaggi at their Grand Opening in the Northlake Mall in Charlotte, NC!

Hosted by Queen Tee Live

Music by DJ Brei 

Salon Talk Podcast One Year Anniversary Celebration !!(Review)

Over 20,000 listeners, 46 episodes and many special guests later, (one of which is our very own Rhonda Lowe in episode 16!) the past year has been eventful for the ladies at the Salon Talk Podcast and definitely worthy of celebration! 

This one year anniversary podcast party took place at the 9th Ward at Babeville, a snug venue with exposed brick walls and intimate seating around a low platform stage. Dj Mr. Illmatic kept the party flow going before and over the course of the night’s show. 

Kicking off the celebratory live anniversary episode, Yolanda Smilez, comedian and past podcast guest, opened with a raunchy comedic set. Her set was engaging and hilarious take on her own sexuality, the audience’s , and her relationship with the podcast had everyone reeling in enthusiastic laughter. 

When Arica and Fee took the stage the energy was high and emotional as they both took turns recapping their first year together and the success it has amassed . They praised those who have been supportive of their growth and that played huge roles by honoring them with gifts and shout outs.

 

The Salon Talk Live podcast episode featured some the the podcast’s iconic conversations starters with the addition of audience engagement. They addressed popular culture topics like Insecure’s #TeamIssa and #TeamLawrence debate (#TeamIssa over here!) and theories on what will happen next on Power. 

The open conversation with the audience remained after special guest and musician Mickiee Moscoto took the stage from the the icebreaker question to the visuals of her an impromptu twerk lesson with Arica – which was a definite bonus! 

Salon Talk represents blackness in its fullness while highlighting the growth and success within the local black community here in Buffalo. Salon Talk’s one year anniversary is the celebration of black Womanhood: our life, beauty, and sexuality. 

I feel so privileged to have been apart of this celebration and look forward to listening to new episodes every Wednesday! 

‘Along The Edges’: An Artistic Wonderment of Black Femme Imagination 

Along Allen Street in a quant buffalo art space called Pine Apple co. is featuring the art instillation ‘Along The Edges’ by Obsidian Bellis, a local black femme artist currently on raise.


“‘Along The Edges’ is predominantly inspired by the emotional labor of black femmes through adversity expressed with elements of mysticism and nature.” -Best described by the artist herself Obsidian.


Obsidian’s artistic style can be described as a mixture of mythical creatures with strong influences of black Afro- American culture. Obsidian also highlighted that her work is inspired by thriftier trinkets and items she would see at her grandmothers house .


On August 4th, opening night of this exhibition, Obsidian featured the talents of Curtis Lovell vocal accompaniment to Ebony’s Burlesque performance that embodied all the elements of Obsidian’s pieces. Curtis Lovell’s original songs vocalized the imagination and Ebony’s hypnotic movements brought the fantasy of the night to life.


The collision of still , dance, and vocal art entranced the audience to a silence, stopped and brought people in off the street to witness this magical performance. The celebration of black femmes creativity created a warm radiating energy that consumed the artists as well as everyone in that space.

All the pieces featured and what remains , are currently up, but won’t be for long!
‘Along the Edges’ instillation ends on August 27th!
Stop in for the last weekend to experience the fleeting moments of this black girl magic instillation!